Tuesday, January 16, 2018

"Weight of a Terrible Past"


Artwork by yours truly,
Juan Fidencio Treviño II

The fate of a monument glorifying a white supremacist lies in the hands of the Brownsville City Commission tonight. Let us hope that they do not accept a position of servitude under the visiting neo-Confederates as their rebel leader, Jefferson Davis, would have enforced.

We do not need symbols of the Confederacy, white supremacy, or white power in Brownsville, Texas, and we should not welcome those who support and fight for the revival of a false whitewashed history that downplays our ignores the prevalence of racial discrimination and overall disrespect toward African-Americans then and now.

Tuesday, December 5, 2017

re: The "Davis Monument is History" Argument

Signatures are appreciated.

I attended the November 29th Town Hall regarding the Jefferson Davis monument and noticed that a number of speakers, in some form, argued that we should not remove it because of its historical context.

Anyone who has lived in Brownsville for a while has most likely seen the plaques around town. For those who don't know, those are official Texas historical markers, and we have quite a few. This information is available for viewing on the Historical Markers page at Brownsville.org and on the Texas Historical Sites Atlas website. The Jefferson Davis monument is not among them.

The markers, one of which is located at the Brownsville Convention and Tourist Bureau and the other at Alice Wilson Memorial Park, explain how Brownsville was a center of activity during the Civil War but show no support toward the causes of the North or the South.

However, the Davis monument was created to showcase an individual, Jefferson Davis, president of the Confederate States of America and unrepentant white supremacist who fought for slavery. It is revisionist propaganda, created by the Daughters of the Confederacy in an attempt to rewrite the narrative of the South and present an immoral individual in a positive light. Davis' beliefs that Africans were to be seen as "inferior" and "fitted expressly for servitude" have no place in a society where we believe in "liberty and justice for all."

If there's anything we can learn from the historical context of this monument, the person it honors, and the discussions we've had because of it, it's that we should never treat others as property, solely because of their race or skin tone, or for any reason at all. We should not view or present Jefferson Davis as a hero.

We have no reason to memorialize a white supremacist who believed in and fought for slavery. By removing the Jefferson Davis monument from Washington Park AND keeping it out of any public area, we can show other cities that the officials and the people of Brownsville, TX recognize the mistakes of previous generations and hope to never repeat them. We cannot erase the negative parts of our history, but we can learn from them and should always attempt to progress past them.
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This was written for the City Commissioners meeting on 5 December 2017 and submitted as a Letter to the Editor to the Brownsville Herald.

Saturday, October 21, 2017

Leaving No Stone Unturned


Signatures are appreciated.
With all these news stories focused on Confederate memorials being removed from public parks and college campuses, the question grows. When will the City of Brownsville catch up? An event organizer, going by Ember Phoenix Lumina, created what seemed to be a joke event focused on our own monument to white supremacy. I felt it would be a great opportunity to remind people that it exists, and neo-Confederates are still defending it.

City of Brownsville, TX - Municipal Government, the time to remove the Jefferson Davis monument from Washington Park is now. The Confederacy lost the Civil War 152 years ago, and there is no way that any part of their slavery-supporting heritage can or should return in an age where people of all skin colors should be treated with respect.

Jefferson Davis' belief that the African race should be recognized as "our inferior, fitted expressly for servitude" [1] was discriminatory and only served to maintain equality along white men. [2] As president of the CSA, he led the fight for freedom to own slaves. Even the vice president, Alexander H. Stephens asserted that "As a race, the African is inferior to the white man..." and "The great truth... upon which our system rests, is the inferiority of the African." [3]

Though our city's history is stained by its participation in the Civil War, it is nothing to celebrate, and we have no reason to keep a monument that glorifies someone who was a white supremacist to the end. [4] Not even Confederate general Robert E. Lee would agree with erecting monuments to the leaders of this rebellion, stating that it would only perpetuate the conflict long after the war was over and make it more difficult for everyone to move on. [5] [6] [7]


Local Confederates, some of whom attended a city commissioners meeting in uniform, have called for its relocation to Veterans Park, by the Brownsville Public Library on Central Blvd, and are planning to defend this unnecessary monument at a proposed town hall This is not acceptable. Brownsville public officials cannot pledge allegiance to the American flag before every government meeting while sanctioning the maintenance of a memorial that glorifies a racist who rebelled against the country for which that flag stands.

If anything, the plaque on this rock should be moved to a museum where it can be used for proper education over the events that occurred. As anyone can open a history textbook and read that the Confederacy failed to secede, history is not being erased, as Neo-Confederates and Confederate sympathizers claim.

Make the right choice. Let us progress past this dark time in Brownsville history. Letters to the Editor and messages to our public officials would greatly help the cause.







Monday, August 14, 2017

RGV Millennials 2017 Summit


RGV Millennials held their 2017 Summit at the Lower Rio Grande Valley Development Council building in Weslaco, TX from 9am - 2:30pm. I first heard of the event from a person I met about three weeks ago at a writing workshop (which will be the topic of an upcoming post.) Despite it being out of town, and out of my comfort zone, after asking him a few more questions and reading the event description on Facebook, I grew more inclined to attend. $15 later, I had my seat and group t-shirt reserved.


I didn't arrive as soon as the doors opened, so I can't say much about the "How The Border Works" photograph display other than it sounded like a great way to get potential attendees involved in the days leading to the event. At 9:30am, the co-chairs and founders, Blanca Davila and Alberto Espinoza, welcome us, shortly explained the history and purpose of the group, and led us into the first activity.

We were split into groups and followed a formula to help us "Speak Like A Leader." Three breathless words or phrases to evoke a sense of haste and establish the tone, three statements that emphasize a phrase, another three presenting dualities that balance each other out, a metaphor, an exaggeration, and a rhyme to conclude. It was a different method of writing than I'm used to, but I'll try to post my own example after I finish this post.

After the representatives from each group presented what was written, the co-chairs introduced the 2016 Millennial of the Year, Liz Charles, who gave a recap of her past year's activities before presenting the candidates for the 2017 recipient of the award and announcing the winner as José María Colon-Uvalles II for the work he's done to help the LGBTQ community as well as being involved in demonstrations that stand up for those who are affected by "colonization, racism, xenophobia, homophobia, and misogyny."


Then, we were out for lunch.

After returning, we jumped into "Startup Hour," in which we followed another process to identify a problem, who is being affected, what can be done to improve the situation, where and when action should be taken, and how to inform people that a solution has been implemented. It was less creative than the first activity but just as dependent on communication within the group. There was time for four groups to present their project before the next item on the agenda started.

As much as I enjoyed the event overall, I must say that, while I understand it is customary to allow the host to speak, there was a significant dip in energy once Ron Garza, the executive director of the Lower Rio Grande Valley Development Council, took the mic. Mr. Garza seems like the kind of person with whom I'd enjoy having lunch or coffee and listening to his experiences working for the state and the valley. However, after three hours of constant interaction and collaboration, having to sit and listen to someone speak of their career history and the duties of a development council for forty minutes was not the best way to end an otherwise engaging event, in my opinion. It was all very interesting, just out of place.

Mr. Garza, if this post reaches you, I'd love to meet you for coffee, if you have the time.

RGV Millennials is a group to which I plan devoting some time from here on out. As their welcome statement explains, they have "encouraged our generation to effect change in our community, assume leadership roles, and make their voices heard." They are a group of empowerment, and that is something I feel we should all support.

Wednesday, November 16, 2016

Rally Against Trump by the Border

"#Distress2016" by Juan Fidencio Treviño II
An American flag upside-down, symbolizing a country in distress,
within the shape of President-elect Donald Trump's hair
On November 8th, 2016, Donald J. Trump became the president-elect of the United States. Throughout the campaign, he spoke very harshly against undocumented immigrants, women, the Latinx, Black, Muslim, LGBTQ, and disabled community, opening the door for every hypernationalist, sexist, racist, religious bigot, homophobe, ableist, and other discriminating individuals to parade their privilege by further insulting and dehumanizing the communities mentioned above.

However, there is another side.

Nationwide, protesters have taken to streets, making their disappointment and disgust in the candidate and his offensive rhetoric public. Frustrated with the political system that allowed such a candidate to arrive at the Oval Office, they are participating in a form of direct action in hopes that their efforts will steer the country into better days.




On November 12, 2016, a large group of protestors gathered at Alice Wilson Hope Park (1300 E Levee St.) for RGV Against Trump's Rally Against Trump. Armed with signs, cameras, and impassioned chants, these residents of the Rio Grande Valley marched from the park to International Blvd, down a stretch of University Blvd, returned to the streets of downtown Brownsville, and regrouped at the park, where some of the attendees were able to express their reasons for "[rejecting] the president-elect."


At the end of this event, Stevie Luna Rodriguez announced that another anti-Trump rally, South Texans Against Trump - Edinburg!, would be held the following Saturday from 2:30pm-6pm at the Hidalgo County Court House (100 N. Closner Blvd.)

The next day, after being asked about the group's future plans, RGV Against Trump posted that they were planning to hold a second event, Rally Against Trump II - Brownsville, at Dean Porter Park on December 10. The organizers are urging those who wish to attend this and future events to remain civil.

Tuesday, August 30, 2016

AVAI transcription and notes

Below, you can read what I was able to transcribe from my recordings at the AVAI Ribbon-Cutting Ceremony. To keep the article at a reasonable length, only some of this material was included.

                                                                           
Christina Houle BC WORKSHOP

"If we create art, if we use at as a tool for civic engagement, then we create a more just and equitable society. If we get more people out, creating the cultural products of their city, then we have those voices represented in the curation and the cultivation of the city."
                                                                           
Commissioner John Villarreal
"We are all proud to feature and support the work of artists from our region. Art is not only a means of expression that enhances public spaces, but it brings our community together. The Survey of Public Participation in the Arts, from the National Endowment for the Arts, a sponsor for the [AVAI], found that readers and art participants are more than twice as likely to volunteer in their community... something that we very much appreciate and need in our community. So, I invite the community to participate in upcoming workshops hosted by the [AVAI] and to take an active role in shaping the culture of downtown Brownsville."
                                                                           
Houle
"[AVAI] is a piece of a larger puzzle that is working to celebrate the cultural identity of Brownsville, the things they make this region very unique, and also to celebrate the great diverse demographics that are here.

Another central goal of the Incubator is that we see each building as a member of the community. Not only are we putting an artist residency in downtown Brownsville because downtown Brownsville has such a unique and rich historical narrative. We also are putting it in a vacant space, because each building is a part of the history of the city."
                                                                           
Rene van Haaften
AVAI Curatorial Committee member
Director of Brownsville Museum of Art
"We figured if, in other cities all over the world, the Arts play such a wonderful and important role in the community and also in the forming of the community, why couldn't it happen here in Brownsville? So, we started... with the idea of an Incubator, and we hoped they would supply one of the beautiful old buildings downtown. And we were very delighted to get the grant and start the selection procedure."

40 artists applied. Tough job to choose the three.
"There is a lot of talent downtown. There is a lot of talent in the Valley."

"I think that's the great thing about art incubators. If you start off with these local talented artists here, hopefully this will lead to more... more incubators, more activities, more artists that want to work around downtown and help us transform downtown into a vibrant community."
                                                                           
Ramiro Garza
Asst Director Brownsville Planning Department
"Built around 1870, the San Fernando building takes us back to an Era where the streets in front of us where dirt. And this building would've been a general store selling a variety of goods including building materials, hides, guns and liquor, to name a few. The building has seen its better days and was purchased by the COB a few years ago with the intent of not only restoring but also bringing new activities into the downtown area.

The [AVAI], an effort funded by the National Endowment for the Arts, which by the way, is not an easy grant to get, it is a very difficult grant to get, does just that. It takes a building that was empty and transforms the space into an vibrant and active space that provides positive activity and supports the revitalization of our downtown area."
                                                                           
Commissioner Cesar de Leon
"It's a really nice thing to come down, listen to some physical speakers, and get everyone involved, which is really what this residency program would be doing. It will be joining all of our local artists in the community, and I think that's what down is about. It's about creating spaces where we can all come together and really enjoy our city and the amenities that it offers."

This is your downtown. This is your city, and this is your space. And really, one day, we will all be hanging out together. We will have restaurants, we will have bars, we will have all these different spaces. We are seeing a big change in downtown revitalization, and I want to tell everybody that we're going to be ahead of the curve."
                                                                           
Lawrence "Larry" Lof
UTRGV professor emeritus,
Led San Fernando building restoration
"The Incubator we begin in the San Fernando building is an incredibly important thing, because it's the beginning of moving forward on the rest of the restoration of that building." He goes on to explain how the building was created through "ancient traditions," how its bricks originated from a specific community and how it was influenced by "New Orleans flair," as he pointed to its balconies. "I love these buildings because they a truly a unique thing to our area. They're not buildings that were beautifully designed and brought down here with ideas and materials from somewhere else. They grew here naturally, so they speak of our history and they tell stories."
                                                                           
Celeste de Luna
"My work, as an artist, I've considered it to be community-based work, which means it's about my community and the people I work with. I've been considered what they call a "border artist" and a lot of my artwork addresses those issues. I wanted to come and work here today at this residency because of the idea of social practice and engaging the community, talking to people and being able to envelop those voices into my artwork."
                                                                           
Nancy Guevara
"I came here from the east coast because I'm really connected to the border. I feel like part of my soul is here, and I'm really dedicated to the work that's being done here. My approach as an artist in this community is building on the community and cultural wealth of Brownsville, because I truly believe there is a lot of talent here, there is a lot of, just, genius available here. I also believe that true revolution and true progress doesn't happen without taking into account the voices of women and the leadership of women, and so, my project is really about representing women activists in the community who are doing work for other women and for people..."
                                                                           
Rigoberto Gonzales
"I was born on the border and grew up on the border, and though, for a few short periods of my life, I've had to travel for my education, for my art career, to New York or New Mexico, I spent most of my life in border communities. As an artist and art historian, I've always known that the culture is very unique and it hasn't really been depicted enough, especially, I think, in the manner that I try and depict it in. I'm a narrative, representational, figurative artist, and my work deals with social themes and social justice, and that's one of the things I'd really like to work with in the [AVAI]." Gonzales extended an offer to the COB to "find a place where they could do a permanent mural that can be enriching for the community. He hopes to depict the Brownsville community sincerely.

Activating Vacancy Arts Incubator Ribbon Cutting Ceremony


A surge of creative activity has come in the form of Activating Vacancy Arts Incubator, an arts and public design initiative, settling into the San Fernando building on 1106 E. Adams St. The ribbon-cutting ceremony took place on a Thursday morning, August 25th, and was led by Christina Houle, of the Brownsville Community Workshop.


"If we create art, if we use at as a tool for civic engagement, then we create a more just and equitable society." Houle began. "If we get more people out, creating the cultural products of their city, then we have those voices represented in the curation and the cultivation of the city."

Other public figures then took the microphone and expressed their thoughts on the project and the importance of establishing it in a downtown location.

"Art is not only a means of expression that enhances public spaces, but it brings our community together."
Commissioner John Villarreal
                                                                           
"We figured if, in other cities all over the world, the Arts play such a wonderful and important role in the community and also in the forming of the community, why couldn't it happen here in Brownsville?"
Rene van Haaften, director of the Brownsville Museum of Art
                                                                           
"[The San Fernando building] was purchased by the COB a few years ago with the intent of not only restoring but also bringing new activities into the downtown area."
Ramiro Gonzalez, Assistant Director of the Brownsville Planning Department
                                                                           
"[Activating Vacancy Arts Incubator] will be joining all of our local artists in the community, and I think that's what downtown is about. It's about creating spaces where we can all come together and really enjoy our city and the amenities that it offers."
Commissioner Cesar de Leon
                                                                           
"The Incubator we begin in the San Fernando building is an incredibly important thing, because it's the beginning of moving forward on the rest of the restoration of that building... I love these buildings because they a truly a unique thing to our area."
Lawrence Lof, professor emeritus at UTRGV, led the restoration project of the San Fernando building

As van Haaften mentioned in his alloted time, forty artists applied for residency at the AVAI, and three were chosen.

Celeste de Luna considers her art to be "community-based work, which means it's about my community and the people I work with." She also aims to address certain topics in her work as a "border artist." She hoped to work at the residency "because of the idea of social practice and engaging the community, talking to people and being able to envelop those voices into my artwork."
                                                                           
Nancy Guevara explained to the audience that she feels very connected to the border and is "really dedicated to the work that is being done here." Her approach to art is "building on the community and cultural wealth of Brownsville. She also expressed her belief that "true revolution and true progress doesn't happen without taking into account the voices of women and the leadership of women..." and hopes to represent them well.
                                                                           
Rigoberto Gonzales explained that, while he occasionally had to travel for educational and career purposes, he spent most of his life in border communities. His goal as a "narrative representational figurative artist" is to depict the local culture in a manner in which he feels it has not been depicted enough while also addressing social justice issues. He also would like to work with the city to create a "permanent mural that can be enriching for the community."

Overall, Activating Vacancy Arts Incubator is another step toward creating a more welcoming environment for creative minds to shape the city for the betterment of the community. For more information about AVAI and events associated with it, visit the Facebook page. Also, I will soon upload what I was able to transcribe from my recordings of the event.